22. Invasion of the Body Snatchers (1956)

Another classic 1950s sci fi. This one isn't as overtly preachy as The Day the Earth Stood Still, but it does play on the sense of dread and paranoia so prevalent during the Cold War era.

The plot, in a nutshell:

The story depicts an extraterrestrial invasion in a small California town. The invaders replace human beings with duplicates that appear identical on the surface but are devoid of any emotion or individuality. A local doctor uncovers what is happening and tries to stop them.

I enjoyed this movie quite a bit. It has beautiful black and white cinematography, and there are some legitimately creepy moments. Recommended viewing for when you feel like staying in on a Friday night. Pour yourself a gimlet or a mint fizz and pop this in.

21. The Day the Earth Stood Still (1951)

A flying saucer lands in Washington, D.C. with a humanoid extraterrestrial (Klaatu) and his protective robot (Gort) companion onboard. Klaatu has been sent to preach disarmament to all the world's leaders, but is told that assembling a meeting would be impossible (it's the height of the Cold War and the US-Eastern Bloc rivalry). Klaatu was sent because the residents of other planets have started fearing for their safety ever since the humans of Earth began harnessing atomic power. Klaatu escapes his confinement in a hospital and ventures into human society; society responds with a paranoid witch hunt. Since he can't get access to the world's leaders, he seeks out the smartest man he can find, the Einstein-esque Dr. Barnhart, and explains that his home planet has solved the problem of violence by creating a robot police force. He also tells Dr. Barnhart and his scientist friends that if humanity lets its violent nature bleed over into space exploration, Earth will be destroyed by the robots. His final words of warning: "The decision rests with you...."

In addition to being a sci fi classic, this movie is also a great time capsule of Cold War-era social commentary. It's not the subtlest or most exciting movie ever captured on film, but it showcases what so many sci fi stories try to achieve: we humans get in over our heads, and placing us in extraordinary circumstances is sometimes the only way to expose us to our own naivete.

21. 2001: A Space Odyssey (1968)

I saw a good chunk of this movie on PBS when I was about ~10 years old, but this past week was the first time I actually sat down and watched it beginning to end. The parts I remembered from childhood include: the space station spinning to Strauss like a ballerina, the mysterious black monoliths showing up, and (most vividly seared in my memory), HAL singing "Daisy Bell" as he's being shut down.

I like most of this movie a lot. It achieves an epic feel without resorting to the usual glittery tricks other epic films employ (lush scenery, dazzling costumes, star actors to deliver crackling dialogue). What it lacks in instant gratification, it makes up for in thought provocation. The pacing is solemn and meditative. The starkness of it leaves you feeling unsettled.

I would put this movie in the category of "films you should watch once a decade." It is the work of a supremely confident director (if you ever needed proof that Stanley Kubrick was born to make movies, here it is. But I doubt you need it.) Kubrick was still in his 30s when he started production of this film. Pretty impressive.

Fun fact: the apes in the beginning section were portrayed by a mime troupe.

19. Blade Runner (1982)

Blade Runner is the first sci fi movie I can remember feeling blown away by.

I watched the Star Wars trilogy a lot as a kid, but it was just always around for me to watch whenever because we had the VHS tapes. I can't remember a time when I hadn't seen Star Wars yet. 

The first time I saw Blade Runner all the way through was a few years ago, during my original half-assed attempt to watch the movies in the book.

From the opening shot (below), the movie is just jaw-dropping. The art direction and music are perfect for creating this futuristic mashed-up version of Los Angeles. The whole thing is even more jaw-dropping when you find out that all the special effects were done in camera!

Ridley Scott proved himself to be a genre mix-master here, as he takes a noir film vibe and transplants it into a futuristic setting (2019--not so far off, now!). Throw in some heavy symbolism, and you've got yourself a sci fi epic. Except it was a flop when it came out in 1982.....

This is one of those special movies that has risen through the ranks of well-regarded films over the years. Time has served it well.

I watched the "Final Cut," which has no voiceover, includes the dream sequence, and does not have the original ending the studio tacked on. If you don't know what I'm talking about....get a copy of this movie immediately!!

Here is the opening scene, one of the best in film history:

17. Mad Max (1979)

This was my first time ever watching this movie. I can see why it's a classic.

One of the things I worry about with my project is whether I will remember any details of individual movies after I've watched so many of them. Here's what I will remember about this one:

1. Mel Gibson was once young and innocent looking

All my memories of Mel Gibson are post-Braveheart, so it was refreshing to go back to what first made him famous and see him in all his fresh-faced glory. It's kind of mind-boggling to think about how much has changed for him in the interim and what a catastrophic fall from public grace he had. Maybe he was always destined for a troubled personal life, since he showed up to the first audition for this movie with facial injuries sustained in a bar fight.

2. This movie may be an Australian sci/fi, but it feels like an American western

Is it a bleak prediction of the world's future, a story of revenge and the triumph of good over evil, or a meditation on the themes of lawlessness and control that prevail in stories about the Old West? All of the above. Mad Max was inspired by incidents of violence related to the 1970s oil crisis and the director's experience working on car crash victims as an ER doctor. George Miller noticed that Australians would go to great lengths to keep their cars running. I've never been to Australia, but it sounds like their car culture is comparable to America's. The attitude embedded in this film reminds me of all the 2nd Amendment debates that are all over the news in the wake of 2012's shootings. What do people really need those guns/all that gas for? Doesn't matter. What matters is what they believe is within their rights, because that will drive their actions. Ideology is the greatest motivator.

3. The villains are memorable

It takes great skill to make a villain really scary. You need an actor who can portray someone so angry and unhinged that you actually believe they would do crazy and evil things. Hugh Keays-Byrne is pitch perfect as the Toecutter. 

4. It's got a great ending

I don't need to describe the ending, because you've probably already seen it. It is perfect and this movie would not be nearly so satisfying without it. 

16. The Terminator (1984)

Arnold at his most chilling.

15. District 9 (2009)

What would happen if an alien spaceship came to Earth over South Africa?

District 9 tells the story of what happens after an alien ship appears over Johannesburg, South Africa in 1982. The locals watch and wait, but for months, the ship just hovers there with no signs of movement. Finally, the government sends in a team to investigate and it finds the ship is populated by a large group of very malnourished aliens. Suddenly the aliens become the world's newest refugee group. Humanitarian aid is called in, and a special area (the District 9 of the title) is built for the aliens to live in. There is one big problem, however: their ship is broken, so the aliens are stuck being South Africa's permanent guests. Over the next two decades, District 9 devolves into being a slum; this, added the governmental costs of keeping the aliens alive creates tension with the citizens of South Africa and leads to interspecies violence. By 2010, a decision has been made to raze District 9 and relocate the aliens to a new site 200 kilometers away from Johannesburg. The film opens with documentary-style interviews recounting the appointment of an affable and naive bureaucrat named Wikus van de Merwe to lead the eviction and relocation efforts. The interviews hint that something went terribly awry with the operation, and one interviewee mentions feeling like Wikus' actions during the operation felt like "a betrayal." You can't believe that happy-go-lucky Wikus is capable of doing anything to betray his fellow humans, but over the course of the film, you see the circumstances he is trapped in and how that alters his humanity.

I was blown away by this movie. It turned the premise of "aliens coming to Earth" on its head and tackles themes like racism, xenophobia, bureaucracy, and military force. The aliens land in an unexpected place, and they need our help, which we give. But then the alien issue turns from "how can we help them?" into "how can we get rid of them?"

Unsurprisingly, the plot was heavily influenced by the director's growing up during apartheid in South Africa. The razing of District 9 is even inspired by a real event when the residents of a mixed-race district in Cape Town were forcibly removed so their area could be used exclusively by the white population.

The most surprising thing about this movie is that it's the first feature film for both its director and lead actor. What a heck of a first film. I liked everything about it. It's framed by a faux-documentary that gives it a sense of realism. A lot of science fiction films are intended to be allegorical, but this one really brings it home. Highly recommended viewing.

1. A Trip to the Moon (1902)

A Trip to the Moon is groundbreaking for many reasons, including:

• It is longer than most other movies of its era.
• It employed then-groundbreaking creative special effects.
• It had a fantastical plot in a time when most movies focused on everyday events. Early filmmakers didn't know exactly what film was for, so they just filmed people doing everyday things. The director of A Trip to the Moon created hundreds of fantasy films during his career, but this one is the most famous and influential.

The plot is as follows:

The leader of a group of astronomers proposes a trip to the moon. Some men volunteer and they build a spaceship that closely resembles a bullet. After being shot out of a giant cannon in the spaceship-bullet, the crew lands squarely in the eye of the anthropomorphic moon.

After resting for a bit, the men discover the moon is inhabited by a hostile alien species. The creatures arrest the men and take them back to the king of their species, whom one of the astronauts kills. The astronauts then run back to their spaceship and one of them pushes it off a cliff to propel it back toward earth. After landing in the ocean, the spaceship surfaces and is towed back to shore.

Here is the version I watched:

Its score is a combination of pieces by two composers, so I'm guessing the original score must be lost. There are also versions on YouTube that have voice narration, because the original movie has no text, just action.

There is an alternate ending that depicts the returning astronauts being feted by a parade. This lost ending was found with a complete print of the film in a barn in 2002.

There's also a color version of the film that was hand-tinted, frame by frame (how long would that have taken? What painstaking work.)

Here is the hand-tinted version with music by the band Air:



I like the Air soundtrack more than I thought I would, but I still wish the original had survived so we could hear it.

Here is a list of pop culture references to this film. The one I immediately recognized was the Smashing Pumpkings video "Tonight, Tonight."

The use of dissolves and animation is pretty advanced for 1902, so I'm excited to see what the rest of the early films on the 1001 movies list are like.

Interesting fact: the director (George Melies) planned on releasing it in America, but Thomas Edison beat him to the punch by having his assistants secretly make copies of it and release it. The film went on to be a huge hit and made a ton of money for Thomas Edison, but not for George Melies (at least in America). Melies went broke later in his life, despite having been an internationally successful filmmaker....sad. What a jerk Thomas Edison was!